Three Poems
Epistle from the Guild of Lost Angels
No death here. Poetry a scarecrow
of rags hung above squash & pumpkins.I live the naked fictions inside my head
until I clothe them with my words.My lover, in the tree, sings of the moon
& the fuse. Her absence is a pink fictionof lemonade, ice-cubes, honeybee choirs
& summer’s fevered heat on the teethof her Cheshire grin. I am the point
where progress meets decay. Big ocean.I’m gone. The saint asked of the beloved.
Because they understand Lee Marvinsetting fires on Formosa. Beauty bought
A 21st Letter Turn
by scandal. Forever singing & dancing.
Night, the animal that keeps you alive.
Night, the u-turn of the self. Hearsad cows moo their way into the fire. Write
the great American novel, and it scattersinto the poor American madman’s thoughts
in the small tornado of your life.Pull flower petals like prudes.
Put on woolen tube socks, boots,and march through your animal rage
on Pluto: one big ball of ice toofar away. Shoo away
friends like flies. You’re no more youthan he or she was you.
Blue sadness was a happinessthat turned its back on you. Poor you.
Fuck you. Love, youfollowed the same path until
it finished. You died. You turnedthe other way and walked it all again.
William Carlos Williams
By himself, electrocuted;
by modernity, his mind snapped
taut, that tightrope above the falls,
beyond the baseball stadiumloaded with a crowd, screaming like
wildfire. Ballroom dancing with
Marianne Moore beneath the petrified
pelican in a taxidermist’s shop.He glanced into the mirror’s modernity
and wanted street cars to slalom
through the hair on his scalp, wanted
Paterson’s newspaper headlinesprinted on his teeth. A vaudevillian
dance macabre when they released
Ezra from Pisa. Most of all,
Aaron Burr, his outlaw prototype
that trumped any cowboy, assassinor confederacy. Modernity
was the path, but less linear, less
circular, less step stones and more mud.
A pointillist’s rain-wet wheelbarrowand white chickens in his old age.
They always just happened to be there.